Chris Ofili‘s work has evolved from the colourful , dazzling collages perched on elephant dung which I first saw at the infamous Sensation show at the Royal Academy of Art way back in 1997, and more recently at MUMOK, Vienna. The works at MUMOK looked lonely, and lost but the a lot of the work at MUMOK looked like that. My experience there was rather unwelcoming, so much so I didn’t even write about visiting there in my Vienna Posts (here, here and here).
His work is still colourful and cultural but is far more pictorial and crossed mediums into weaving. ‘Weaving Magic‘ is a collaborative piece really, the piece took Dovecot Tapestry Studio three years to make, the labour undertaken by five weavers. Surrounding the weaving are dancers, drawn onto the wall from the cornice to the skirting by members of the Royal Opera House scenography department. The drawings look like they’ve been done in graphite or a soft HB pencil and are actually panel installations, created just like the ROH’s backdrops.
What is really magical is how the translation of Ofili’s original watercolours into thread. The tonal gradations really look like they’ve been painted on in a wash of water and paint. It reminds me of the Shadow Tissue technique, where thread was printed before being woven to create blurred images. I can only guess how the weaver’s achieved this affect. The work was funded by The Clothworkers Company who will now host the work in the Clothworker’s Hall.